Maison Assouline

I made a new discovery on Piccadilly the other day - Maison Assouline, the luxury book brand featuring Swan's Bar where we had afternoon tea.

 It was like sitting in someone's own private library with books on fashion, travel, jewellery and other luxury items, alongside antiques and beautifully crafted objects. A peaceful oasis in the west end. Originally designed by Edward Lutyens in 1922, its high windows let in plenty of light; on the mezzanine a traditional Italian bookbinder, Paolo Taddeo, has a studio.
Sophisticated craft meets high end luxury.

Love London

This weekend is the last chance to see Tutti Frutti, Rare Beauty, our October show on Columbia Road. We'd love to see you.  I'll be there with Vicky Forrester tomorrow on our very last day.

 What a great show it's been at the Number Ninety-Four Gallery. Thanks to Simon for hosting us so brilliantly. What a social hub it is! 

 Want to check out a few things on Columbia Road if there's time tomorrow; Beyond Fabrics  for haberdashery supplies and to call in next door to Number 94, where the legendary Angela Flanders, perfumer with cult following, has her original and exclusive perfumes. 

Next week, in between silversmithing and painting, I'll be taking a beginner's calligraphy workshop taught by Japanese Calligrapher, Shoho. And if I have time I'll be along to the V&A to see the Pearl Exhibition and Chinese Painting  - the once in a lifetime chance to see rare collections from around the world. 

So much to do!

Ultra Vanities at Goldsmiths

I dropped off a ring at Goldsmiths today for early hall and called in to see the summer exhibition 'Ultra Vanities- Bejewelled Make-Up Boxes from the Age of Glamour'. I had about half an hour before closing time. Ten minutes before the end, I started drawing a Cartier compact, then a Rozanes compact, each made from Onyx and Jade. The more I drew, the more I saw.

I'll call back again when I pick up my client's mother of pearl ring and I'll return with my pencil and paper.

These little bejewelled compacts, 'necessaire de beaute', from the 1920's to the 1970's are exquisitely crafted, with tiny drawers and compartments for wealthy fashionable clients' make-up and cigarettes. Van Cleef and Arpels is one of the fashion houses represented and has some of my favourites, but I loved the Cartier compacts, similar to the one below, with the chain and tube (is that to hold a tiny lipstick? Will have to find out.....)

The Oriental influence is seen in many 1920's compacts, like this one from Cartier with green jade, black onyx

Masterpiece 2013

I was given a ticket for Masterpiece last year and knew I'd be back in 2013 to see it again.
Interesting walking through what was the Chelsea Flower Show only a few weeks ago to see yet another amazing exhibition in the same grounds, this time all under cover.
Highlights for me this year were the galleries showing contemporary Chinese Brush Painting: I loved Gao Xingjian's sublime ink on paper, in the Aktis Gallery and Yang Yanping in Michael Goedhuis Gallery.

Work by Gao Xingjian, similar to one I saw at Masterpiece 

I missed the talk on contemporary Chinese brush painting given by Michael Goedhuis and hope to hear another one sometime soon.